Michelangelo and the Sistine

/

I thought I knew everything I needed to know about Michelangelo and the Sistine Chapel but my interview with curator/Michelangelo scholar Adriano Marinazzo about this new exhibition at the Muscarelle Museum was an eye-opener. My review was published today on Art & Object.

https://www.artandobject.com/news/stepping-mind-michelangelo-muscarelle-museum

/ /

Cynthia Close

Armed with an MFA from Boston University Cynthia plowed her way through several productive careers in the arts including instructor in drawing and painting, Dean of Admissions at The Art Institute of Boston, founder of ARTWORKS Consulting, and president of Documentary Educational Resources - a nonprofit film distribution company. She now claims to be a writer.

In addition…
To support this claim, she is a contributing editor for Documentary Magazine and writes regularly about art, cinema, and culture for, Artist’s Magazine, Art & Object, Pastel Magazine, Art New England, Vermont Woman, and formerly for Professional Artist Magazine. Her creative non-fiction appeared in the 2014, 2016, and 2017 anthology The Best of the Burlington Writers Workshop. Her essays have been published in various literary journals including 34th Parallel, Across the Margin, Adelaide, Agni, Bacopa Literary Review, The Black and White Anthology, Blood and Bourbon, The Brooklyn Film Arts nonfiction prize finalist, From Whispers to Roars, The Longridge Review, Montana Mouthful, Orson’s Review, The Seasons of Our Lives, Swallow Press, The Twisted Vine, Wagon Bridge Press, and The Woven Tales Press, among others. She has read publicly at many venues including the Cornelia Street Café in NYC. She was the inaugural art editor for the literary and art journal Mud Season Review launched in 2014.

The Philadelphia Ten

/

It was a challenge finding digitized images for my article for the Artist’s Network of these female artists who were well known in their own time and doing beautiful work in Philadelphia in the early 20th century. Another version of this article was published in print in Artist’s Magazine.

https://www.artistsnetwork.com/art-exhibitions/the-philadelphia-ten/

/ /

Cynthia Close

Armed with an MFA from Boston University Cynthia plowed her way through several productive careers in the arts including instructor in drawing and painting, Dean of Admissions at The Art Institute of Boston, founder of ARTWORKS Consulting, and president of Documentary Educational Resources - a nonprofit film distribution company. She now claims to be a writer.

In addition…
To support this claim, she is a contributing editor for Documentary Magazine and writes regularly about art, cinema, and culture for, Artist’s Magazine, Art & Object, Pastel Magazine, Art New England, Vermont Woman, and formerly for Professional Artist Magazine. Her creative non-fiction appeared in the 2014, 2016, and 2017 anthology The Best of the Burlington Writers Workshop. Her essays have been published in various literary journals including 34th Parallel, Across the Margin, Adelaide, Agni, Bacopa Literary Review, The Black and White Anthology, Blood and Bourbon, The Brooklyn Film Arts nonfiction prize finalist, From Whispers to Roars, The Longridge Review, Montana Mouthful, Orson’s Review, The Seasons of Our Lives, Swallow Press, The Twisted Vine, Wagon Bridge Press, and The Woven Tales Press, among others. She has read publicly at many venues including the Cornelia Street Café in NYC. She was the inaugural art editor for the literary and art journal Mud Season Review launched in 2014.

The Amazing Surrealist Leonora Carrington

/

My review of the eyeopening Leonora Carrington show at the Rose Art Museum Brandeis University was published today on Art & Object. I had no idea that the Rose had such a rich collection of surrealism which is highlighted in a parallel exhibition, also at the Rose. I'll be focusing on that in the next issue of Art New England.

https://www.artandobject.com/news/leonora-carringtons-enchanting-surrealism-rose-art-museum

/ /

Cynthia Close

Armed with an MFA from Boston University Cynthia plowed her way through several productive careers in the arts including instructor in drawing and painting, Dean of Admissions at The Art Institute of Boston, founder of ARTWORKS Consulting, and president of Documentary Educational Resources - a nonprofit film distribution company. She now claims to be a writer.

In addition…
To support this claim, she is a contributing editor for Documentary Magazine and writes regularly about art, cinema, and culture for, Artist’s Magazine, Art & Object, Pastel Magazine, Art New England, Vermont Woman, and formerly for Professional Artist Magazine. Her creative non-fiction appeared in the 2014, 2016, and 2017 anthology The Best of the Burlington Writers Workshop. Her essays have been published in various literary journals including 34th Parallel, Across the Margin, Adelaide, Agni, Bacopa Literary Review, The Black and White Anthology, Blood and Bourbon, The Brooklyn Film Arts nonfiction prize finalist, From Whispers to Roars, The Longridge Review, Montana Mouthful, Orson’s Review, The Seasons of Our Lives, Swallow Press, The Twisted Vine, Wagon Bridge Press, and The Woven Tales Press, among others. She has read publicly at many venues including the Cornelia Street Café in NYC. She was the inaugural art editor for the literary and art journal Mud Season Review launched in 2014.

John Wilson at MFA Boston

/

I am so pleased to cover the exhibition Witnessing Humanity, the Art of John Wilson, opening on February 8, 2025 at the Museum of Fine Arts, Boston. My exclusive interview and review was published today on Art and Object.

https://www.artandobject.com/news/john-wilsons-art-explores-humanity-and-activism-mfa-boston

/ /

Cynthia Close

Armed with an MFA from Boston University Cynthia plowed her way through several productive careers in the arts including instructor in drawing and painting, Dean of Admissions at The Art Institute of Boston, founder of ARTWORKS Consulting, and president of Documentary Educational Resources - a nonprofit film distribution company. She now claims to be a writer.

In addition…
To support this claim, she is a contributing editor for Documentary Magazine and writes regularly about art, cinema, and culture for, Artist’s Magazine, Art & Object, Pastel Magazine, Art New England, Vermont Woman, and formerly for Professional Artist Magazine. Her creative non-fiction appeared in the 2014, 2016, and 2017 anthology The Best of the Burlington Writers Workshop. Her essays have been published in various literary journals including 34th Parallel, Across the Margin, Adelaide, Agni, Bacopa Literary Review, The Black and White Anthology, Blood and Bourbon, The Brooklyn Film Arts nonfiction prize finalist, From Whispers to Roars, The Longridge Review, Montana Mouthful, Orson’s Review, The Seasons of Our Lives, Swallow Press, The Twisted Vine, Wagon Bridge Press, and The Woven Tales Press, among others. She has read publicly at many venues including the Cornelia Street Café in NYC. She was the inaugural art editor for the literary and art journal Mud Season Review launched in 2014.

Two articles published in Art New England January 2025

/

Looking forward to more great issues of Art New England in 2025. In the January issue I was lucky enough to cover the fabulous architectural design for Shelburne Museums new Perry Center for Native American Art along with a survey of Vermont's vineyards that are becoming fertile ground for art as well as wine. https://artnewengland.com/january-february-2025-toc/

/ /

Cynthia Close

Armed with an MFA from Boston University Cynthia plowed her way through several productive careers in the arts including instructor in drawing and painting, Dean of Admissions at The Art Institute of Boston, founder of ARTWORKS Consulting, and president of Documentary Educational Resources - a nonprofit film distribution company. She now claims to be a writer.

In addition…
To support this claim, she is a contributing editor for Documentary Magazine and writes regularly about art, cinema, and culture for, Artist’s Magazine, Art & Object, Pastel Magazine, Art New England, Vermont Woman, and formerly for Professional Artist Magazine. Her creative non-fiction appeared in the 2014, 2016, and 2017 anthology The Best of the Burlington Writers Workshop. Her essays have been published in various literary journals including 34th Parallel, Across the Margin, Adelaide, Agni, Bacopa Literary Review, The Black and White Anthology, Blood and Bourbon, The Brooklyn Film Arts nonfiction prize finalist, From Whispers to Roars, The Longridge Review, Montana Mouthful, Orson’s Review, The Seasons of Our Lives, Swallow Press, The Twisted Vine, Wagon Bridge Press, and The Woven Tales Press, among others. She has read publicly at many venues including the Cornelia Street Café in NYC. She was the inaugural art editor for the literary and art journal Mud Season Review launched in 2014.

Artist's Studios in Artist’s Magazine Jan/Feb 2025

/

My article on the mystery and fascination of artist's studios as both subject matter and as integrated elements in museum exhibitions is featured in the Jan/Feb issue of Artist's Magazine along with an article about a new research center focusing on the late 18th-century Spanish artist Francisco José de Goya y Lucientes (1746-1828) that was recently announced by The Hispanic Society Museum & Library in New York City.​

https://www.artistsnetwork.com/store/digital-magazines/artists-magazine-digital/artists-magazine-january-february-2025-digital-edition/

/ /

Cynthia Close

Armed with an MFA from Boston University Cynthia plowed her way through several productive careers in the arts including instructor in drawing and painting, Dean of Admissions at The Art Institute of Boston, founder of ARTWORKS Consulting, and president of Documentary Educational Resources - a nonprofit film distribution company. She now claims to be a writer.

In addition…
To support this claim, she is a contributing editor for Documentary Magazine and writes regularly about art, cinema, and culture for, Artist’s Magazine, Art & Object, Pastel Magazine, Art New England, Vermont Woman, and formerly for Professional Artist Magazine. Her creative non-fiction appeared in the 2014, 2016, and 2017 anthology The Best of the Burlington Writers Workshop. Her essays have been published in various literary journals including 34th Parallel, Across the Margin, Adelaide, Agni, Bacopa Literary Review, The Black and White Anthology, Blood and Bourbon, The Brooklyn Film Arts nonfiction prize finalist, From Whispers to Roars, The Longridge Review, Montana Mouthful, Orson’s Review, The Seasons of Our Lives, Swallow Press, The Twisted Vine, Wagon Bridge Press, and The Woven Tales Press, among others. She has read publicly at many venues including the Cornelia Street Café in NYC. She was the inaugural art editor for the literary and art journal Mud Season Review launched in 2014.

Art & Object's Favorite Stories of 2024

/

So pleased to have my feature on Helen Drutt English, Ambassador of the American Craft Movement, chosen as one of Art & Objects favorite stories of 2024. https://www.artandobject.com/slideshows/art-objects-favorite-stories-2024

https://www.artandobject.com/news/helen-drutt-english-americas-ambassador-craft

/ /

Cynthia Close

Armed with an MFA from Boston University Cynthia plowed her way through several productive careers in the arts including instructor in drawing and painting, Dean of Admissions at The Art Institute of Boston, founder of ARTWORKS Consulting, and president of Documentary Educational Resources - a nonprofit film distribution company. She now claims to be a writer.

In addition…
To support this claim, she is a contributing editor for Documentary Magazine and writes regularly about art, cinema, and culture for, Artist’s Magazine, Art & Object, Pastel Magazine, Art New England, Vermont Woman, and formerly for Professional Artist Magazine. Her creative non-fiction appeared in the 2014, 2016, and 2017 anthology The Best of the Burlington Writers Workshop. Her essays have been published in various literary journals including 34th Parallel, Across the Margin, Adelaide, Agni, Bacopa Literary Review, The Black and White Anthology, Blood and Bourbon, The Brooklyn Film Arts nonfiction prize finalist, From Whispers to Roars, The Longridge Review, Montana Mouthful, Orson’s Review, The Seasons of Our Lives, Swallow Press, The Twisted Vine, Wagon Bridge Press, and The Woven Tales Press, among others. She has read publicly at many venues including the Cornelia Street Café in NYC. She was the inaugural art editor for the literary and art journal Mud Season Review launched in 2014.

7 Films About Art to Beat the Winter Blahs

/

My lists of recommended films about art have been a regular feature at Art & Object for several years. They just republished last seasons suggestions which are still accessible.

https://www.artandobject.com/news/7-art-films-beat-winter-weather

/ /

Cynthia Close

Armed with an MFA from Boston University Cynthia plowed her way through several productive careers in the arts including instructor in drawing and painting, Dean of Admissions at The Art Institute of Boston, founder of ARTWORKS Consulting, and president of Documentary Educational Resources - a nonprofit film distribution company. She now claims to be a writer.

In addition…
To support this claim, she is a contributing editor for Documentary Magazine and writes regularly about art, cinema, and culture for, Artist’s Magazine, Art & Object, Pastel Magazine, Art New England, Vermont Woman, and formerly for Professional Artist Magazine. Her creative non-fiction appeared in the 2014, 2016, and 2017 anthology The Best of the Burlington Writers Workshop. Her essays have been published in various literary journals including 34th Parallel, Across the Margin, Adelaide, Agni, Bacopa Literary Review, The Black and White Anthology, Blood and Bourbon, The Brooklyn Film Arts nonfiction prize finalist, From Whispers to Roars, The Longridge Review, Montana Mouthful, Orson’s Review, The Seasons of Our Lives, Swallow Press, The Twisted Vine, Wagon Bridge Press, and The Woven Tales Press, among others. She has read publicly at many venues including the Cornelia Street Café in NYC. She was the inaugural art editor for the literary and art journal Mud Season Review launched in 2014.

Opportunities for Artists in Rhode Island

/

The most successful nonprofits in the arts are run by savvy business people. Luckily the Art League of Rhode Island is one of them. Read about them in my recent profile for Art & Object.

https://www.artandobject.com/news/art-league-rhode-island-nonprofit-local-artists-0

/ /

Cynthia Close

Armed with an MFA from Boston University Cynthia plowed her way through several productive careers in the arts including instructor in drawing and painting, Dean of Admissions at The Art Institute of Boston, founder of ARTWORKS Consulting, and president of Documentary Educational Resources - a nonprofit film distribution company. She now claims to be a writer.

In addition…
To support this claim, she is a contributing editor for Documentary Magazine and writes regularly about art, cinema, and culture for, Artist’s Magazine, Art & Object, Pastel Magazine, Art New England, Vermont Woman, and formerly for Professional Artist Magazine. Her creative non-fiction appeared in the 2014, 2016, and 2017 anthology The Best of the Burlington Writers Workshop. Her essays have been published in various literary journals including 34th Parallel, Across the Margin, Adelaide, Agni, Bacopa Literary Review, The Black and White Anthology, Blood and Bourbon, The Brooklyn Film Arts nonfiction prize finalist, From Whispers to Roars, The Longridge Review, Montana Mouthful, Orson’s Review, The Seasons of Our Lives, Swallow Press, The Twisted Vine, Wagon Bridge Press, and The Woven Tales Press, among others. She has read publicly at many venues including the Cornelia Street Café in NYC. She was the inaugural art editor for the literary and art journal Mud Season Review launched in 2014.

Groundbreaking Women, the second part of a 2 part series

/

It was such a pleasure interviewing these inspiring, tenacious leaders of non-profit arts organizations for the second in my series of articles about groundbreaking women for Art New England. It appears in the Nov/Dec issue.

https://artnewengland.com/groundbreaking-women/

/ /

Cynthia Close

Armed with an MFA from Boston University Cynthia plowed her way through several productive careers in the arts including instructor in drawing and painting, Dean of Admissions at The Art Institute of Boston, founder of ARTWORKS Consulting, and president of Documentary Educational Resources - a nonprofit film distribution company. She now claims to be a writer.

In addition…
To support this claim, she is a contributing editor for Documentary Magazine and writes regularly about art, cinema, and culture for, Artist’s Magazine, Art & Object, Pastel Magazine, Art New England, Vermont Woman, and formerly for Professional Artist Magazine. Her creative non-fiction appeared in the 2014, 2016, and 2017 anthology The Best of the Burlington Writers Workshop. Her essays have been published in various literary journals including 34th Parallel, Across the Margin, Adelaide, Agni, Bacopa Literary Review, The Black and White Anthology, Blood and Bourbon, The Brooklyn Film Arts nonfiction prize finalist, From Whispers to Roars, The Longridge Review, Montana Mouthful, Orson’s Review, The Seasons of Our Lives, Swallow Press, The Twisted Vine, Wagon Bridge Press, and The Woven Tales Press, among others. She has read publicly at many venues including the Cornelia Street Café in NYC. She was the inaugural art editor for the literary and art journal Mud Season Review launched in 2014.

Art Wise, A great place in Brooklyn for high-end posters

/

Bernard Rougerie is the go to guy and founder of Art Wise, one of the best sources for high value fine art posters that I've encountered in all my years writing about art and interviewing gallerists, artists and collectors. My profile of him and Art Wise was published today on Art & Object.

https://www.artandobject.com/news/look-inside-brooklyns-gallery-authentic-prints-and-lithographs

/ /

Cynthia Close

Armed with an MFA from Boston University Cynthia plowed her way through several productive careers in the arts including instructor in drawing and painting, Dean of Admissions at The Art Institute of Boston, founder of ARTWORKS Consulting, and president of Documentary Educational Resources - a nonprofit film distribution company. She now claims to be a writer.

In addition…
To support this claim, she is a contributing editor for Documentary Magazine and writes regularly about art, cinema, and culture for, Artist’s Magazine, Art & Object, Pastel Magazine, Art New England, Vermont Woman, and formerly for Professional Artist Magazine. Her creative non-fiction appeared in the 2014, 2016, and 2017 anthology The Best of the Burlington Writers Workshop. Her essays have been published in various literary journals including 34th Parallel, Across the Margin, Adelaide, Agni, Bacopa Literary Review, The Black and White Anthology, Blood and Bourbon, The Brooklyn Film Arts nonfiction prize finalist, From Whispers to Roars, The Longridge Review, Montana Mouthful, Orson’s Review, The Seasons of Our Lives, Swallow Press, The Twisted Vine, Wagon Bridge Press, and The Woven Tales Press, among others. She has read publicly at many venues including the Cornelia Street Café in NYC. She was the inaugural art editor for the literary and art journal Mud Season Review launched in 2014.

Winter issue of Art & Object Magazine

/

My interviews with 2 artists, 2 gallerists and 2 collectors Exploring the Entrepreneurial Mindset in the Art World are featured in the latest issue of Art & Object Magazine. It is available free in hard copy or digital format.

https://artandobject.mydigitalpublication.com/publication/?i=835941

/ /

Cynthia Close

Armed with an MFA from Boston University Cynthia plowed her way through several productive careers in the arts including instructor in drawing and painting, Dean of Admissions at The Art Institute of Boston, founder of ARTWORKS Consulting, and president of Documentary Educational Resources - a nonprofit film distribution company. She now claims to be a writer.

In addition…
To support this claim, she is a contributing editor for Documentary Magazine and writes regularly about art, cinema, and culture for, Artist’s Magazine, Art & Object, Pastel Magazine, Art New England, Vermont Woman, and formerly for Professional Artist Magazine. Her creative non-fiction appeared in the 2014, 2016, and 2017 anthology The Best of the Burlington Writers Workshop. Her essays have been published in various literary journals including 34th Parallel, Across the Margin, Adelaide, Agni, Bacopa Literary Review, The Black and White Anthology, Blood and Bourbon, The Brooklyn Film Arts nonfiction prize finalist, From Whispers to Roars, The Longridge Review, Montana Mouthful, Orson’s Review, The Seasons of Our Lives, Swallow Press, The Twisted Vine, Wagon Bridge Press, and The Woven Tales Press, among others. She has read publicly at many venues including the Cornelia Street Café in NYC. She was the inaugural art editor for the literary and art journal Mud Season Review launched in 2014.

Art 101 offers an entry point for a new collector

/

It helps to know how art is valued before you start collecting. My interview with the founder of Affordable Art 101 published today in Art & Object offers some guidelines.

https://www.artandobject.com/news/affordable-art-101-making-art-easier-collect

--

/ /

Cynthia Close

Armed with an MFA from Boston University Cynthia plowed her way through several productive careers in the arts including instructor in drawing and painting, Dean of Admissions at The Art Institute of Boston, founder of ARTWORKS Consulting, and president of Documentary Educational Resources - a nonprofit film distribution company. She now claims to be a writer.

In addition…
To support this claim, she is a contributing editor for Documentary Magazine and writes regularly about art, cinema, and culture for, Artist’s Magazine, Art & Object, Pastel Magazine, Art New England, Vermont Woman, and formerly for Professional Artist Magazine. Her creative non-fiction appeared in the 2014, 2016, and 2017 anthology The Best of the Burlington Writers Workshop. Her essays have been published in various literary journals including 34th Parallel, Across the Margin, Adelaide, Agni, Bacopa Literary Review, The Black and White Anthology, Blood and Bourbon, The Brooklyn Film Arts nonfiction prize finalist, From Whispers to Roars, The Longridge Review, Montana Mouthful, Orson’s Review, The Seasons of Our Lives, Swallow Press, The Twisted Vine, Wagon Bridge Press, and The Woven Tales Press, among others. She has read publicly at many venues including the Cornelia Street Café in NYC. She was the inaugural art editor for the literary and art journal Mud Season Review launched in 2014.

Art Helps Us All

/

In times good and bad Art New England Magazine has consistently produced some of the most stunning covers of any art publication that manages to put out a print on paper edition six times a year. The Nov/Dec cover is another one of those arresting images. The second part of my coverage of Groundbreaking Women in arts management appears in this issue. You will have to buy a hard copy of the magazine to read it as Art New England is still a subscriber supported publication. https://artnewengland.com/november-december-2024-toc/

/ /

Cynthia Close

Armed with an MFA from Boston University Cynthia plowed her way through several productive careers in the arts including instructor in drawing and painting, Dean of Admissions at The Art Institute of Boston, founder of ARTWORKS Consulting, and president of Documentary Educational Resources - a nonprofit film distribution company. She now claims to be a writer.

In addition…
To support this claim, she is a contributing editor for Documentary Magazine and writes regularly about art, cinema, and culture for, Artist’s Magazine, Art & Object, Pastel Magazine, Art New England, Vermont Woman, and formerly for Professional Artist Magazine. Her creative non-fiction appeared in the 2014, 2016, and 2017 anthology The Best of the Burlington Writers Workshop. Her essays have been published in various literary journals including 34th Parallel, Across the Margin, Adelaide, Agni, Bacopa Literary Review, The Black and White Anthology, Blood and Bourbon, The Brooklyn Film Arts nonfiction prize finalist, From Whispers to Roars, The Longridge Review, Montana Mouthful, Orson’s Review, The Seasons of Our Lives, Swallow Press, The Twisted Vine, Wagon Bridge Press, and The Woven Tales Press, among others. She has read publicly at many venues including the Cornelia Street Café in NYC. She was the inaugural art editor for the literary and art journal Mud Season Review launched in 2014.

Sonya Sparks, A young gallerist with a firm foundation

/

The Sparks Gallery in San Diego offers a great space for locals to launch a career. Founder Sonya Sparks shared her history with me for Art & Object.

https://www.artandobject.com/news/discovering-san-diego-creatives-sparks-gallery

/ /

Cynthia Close

Armed with an MFA from Boston University Cynthia plowed her way through several productive careers in the arts including instructor in drawing and painting, Dean of Admissions at The Art Institute of Boston, founder of ARTWORKS Consulting, and president of Documentary Educational Resources - a nonprofit film distribution company. She now claims to be a writer.

In addition…
To support this claim, she is a contributing editor for Documentary Magazine and writes regularly about art, cinema, and culture for, Artist’s Magazine, Art & Object, Pastel Magazine, Art New England, Vermont Woman, and formerly for Professional Artist Magazine. Her creative non-fiction appeared in the 2014, 2016, and 2017 anthology The Best of the Burlington Writers Workshop. Her essays have been published in various literary journals including 34th Parallel, Across the Margin, Adelaide, Agni, Bacopa Literary Review, The Black and White Anthology, Blood and Bourbon, The Brooklyn Film Arts nonfiction prize finalist, From Whispers to Roars, The Longridge Review, Montana Mouthful, Orson’s Review, The Seasons of Our Lives, Swallow Press, The Twisted Vine, Wagon Bridge Press, and The Woven Tales Press, among others. She has read publicly at many venues including the Cornelia Street Café in NYC. She was the inaugural art editor for the literary and art journal Mud Season Review launched in 2014.

Locatio, location, location, means everything as climate change brings chaos

/

Louisiana gallerist Guy Lyman tells me about the trials and tribulations that location brings in my profile of his gallery for Art & Object.

 

https://www.artandobject.com/news/guy-lyman-fine-art-artist-and-dealer-big-easy

/ /

Cynthia Close

Armed with an MFA from Boston University Cynthia plowed her way through several productive careers in the arts including instructor in drawing and painting, Dean of Admissions at The Art Institute of Boston, founder of ARTWORKS Consulting, and president of Documentary Educational Resources - a nonprofit film distribution company. She now claims to be a writer.

In addition…
To support this claim, she is a contributing editor for Documentary Magazine and writes regularly about art, cinema, and culture for, Artist’s Magazine, Art & Object, Pastel Magazine, Art New England, Vermont Woman, and formerly for Professional Artist Magazine. Her creative non-fiction appeared in the 2014, 2016, and 2017 anthology The Best of the Burlington Writers Workshop. Her essays have been published in various literary journals including 34th Parallel, Across the Margin, Adelaide, Agni, Bacopa Literary Review, The Black and White Anthology, Blood and Bourbon, The Brooklyn Film Arts nonfiction prize finalist, From Whispers to Roars, The Longridge Review, Montana Mouthful, Orson’s Review, The Seasons of Our Lives, Swallow Press, The Twisted Vine, Wagon Bridge Press, and The Woven Tales Press, among others. She has read publicly at many venues including the Cornelia Street Café in NYC. She was the inaugural art editor for the literary and art journal Mud Season Review launched in 2014.

Books on art make perfect gifts

/

Putting together this art book gift list for the Artist's Network was great fun. I got to include some of my favorite reads this past year.

https://www.artistsnetwork.com/product-recommendation/an-art-lovers-holiday-book-list/


/ /

Cynthia Close

Armed with an MFA from Boston University Cynthia plowed her way through several productive careers in the arts including instructor in drawing and painting, Dean of Admissions at The Art Institute of Boston, founder of ARTWORKS Consulting, and president of Documentary Educational Resources - a nonprofit film distribution company. She now claims to be a writer.

In addition…
To support this claim, she is a contributing editor for Documentary Magazine and writes regularly about art, cinema, and culture for, Artist’s Magazine, Art & Object, Pastel Magazine, Art New England, Vermont Woman, and formerly for Professional Artist Magazine. Her creative non-fiction appeared in the 2014, 2016, and 2017 anthology The Best of the Burlington Writers Workshop. Her essays have been published in various literary journals including 34th Parallel, Across the Margin, Adelaide, Agni, Bacopa Literary Review, The Black and White Anthology, Blood and Bourbon, The Brooklyn Film Arts nonfiction prize finalist, From Whispers to Roars, The Longridge Review, Montana Mouthful, Orson’s Review, The Seasons of Our Lives, Swallow Press, The Twisted Vine, Wagon Bridge Press, and The Woven Tales Press, among others. She has read publicly at many venues including the Cornelia Street Café in NYC. She was the inaugural art editor for the literary and art journal Mud Season Review launched in 2014.

Portrait of the Art Dealer as a Young Man

/

Author, Gallerist, Art Dealer, Michael Findlay was a joy to interview. My review of his new book was just published on Art & Object. If you are at all curious about how the art-biz works, buy this book! It is a fun read...

https://www.artandobject.com/news/review-michael-findlays-portrait-art-dealer-young-man-new-york-sixties

/ /

Cynthia Close

Armed with an MFA from Boston University Cynthia plowed her way through several productive careers in the arts including instructor in drawing and painting, Dean of Admissions at The Art Institute of Boston, founder of ARTWORKS Consulting, and president of Documentary Educational Resources - a nonprofit film distribution company. She now claims to be a writer.

In addition…
To support this claim, she is a contributing editor for Documentary Magazine and writes regularly about art, cinema, and culture for, Artist’s Magazine, Art & Object, Pastel Magazine, Art New England, Vermont Woman, and formerly for Professional Artist Magazine. Her creative non-fiction appeared in the 2014, 2016, and 2017 anthology The Best of the Burlington Writers Workshop. Her essays have been published in various literary journals including 34th Parallel, Across the Margin, Adelaide, Agni, Bacopa Literary Review, The Black and White Anthology, Blood and Bourbon, The Brooklyn Film Arts nonfiction prize finalist, From Whispers to Roars, The Longridge Review, Montana Mouthful, Orson’s Review, The Seasons of Our Lives, Swallow Press, The Twisted Vine, Wagon Bridge Press, and The Woven Tales Press, among others. She has read publicly at many venues including the Cornelia Street Café in NYC. She was the inaugural art editor for the literary and art journal Mud Season Review launched in 2014.

bG Gallery in Santa Monica Embraces the Unfamiliar

/

Writing in depth profiles of galleries that often include the backstory of the gallerist's path has been an eye opening endeavor for me and hopefully informative for both artists seeking representation and collectors looking to discover new talent. Here's my latest published on Art & Object: 

https://www.artandobject.com/news/appreciation-unfamiliar-bg-gallery

/ /

Cynthia Close

Armed with an MFA from Boston University Cynthia plowed her way through several productive careers in the arts including instructor in drawing and painting, Dean of Admissions at The Art Institute of Boston, founder of ARTWORKS Consulting, and president of Documentary Educational Resources - a nonprofit film distribution company. She now claims to be a writer.

In addition…
To support this claim, she is a contributing editor for Documentary Magazine and writes regularly about art, cinema, and culture for, Artist’s Magazine, Art & Object, Pastel Magazine, Art New England, Vermont Woman, and formerly for Professional Artist Magazine. Her creative non-fiction appeared in the 2014, 2016, and 2017 anthology The Best of the Burlington Writers Workshop. Her essays have been published in various literary journals including 34th Parallel, Across the Margin, Adelaide, Agni, Bacopa Literary Review, The Black and White Anthology, Blood and Bourbon, The Brooklyn Film Arts nonfiction prize finalist, From Whispers to Roars, The Longridge Review, Montana Mouthful, Orson’s Review, The Seasons of Our Lives, Swallow Press, The Twisted Vine, Wagon Bridge Press, and The Woven Tales Press, among others. She has read publicly at many venues including the Cornelia Street Café in NYC. She was the inaugural art editor for the literary and art journal Mud Season Review launched in 2014.

Cultural Engagement Through Art at Susan Eley Fine Art

/

Women gallery owners are becoming more visible, but the business of selling art requires a grasp of a more diverse approach to marketing than ever before. My interview with gallerist Susan Eley reveals how one woman has adjusted to the new reality of art marketing. It was published today in Art & Object online.    

https://www.artandobject.com/news/cultural-engagement-through-art-susan-eley-fine-art

/ /

Cynthia Close

Armed with an MFA from Boston University Cynthia plowed her way through several productive careers in the arts including instructor in drawing and painting, Dean of Admissions at The Art Institute of Boston, founder of ARTWORKS Consulting, and president of Documentary Educational Resources - a nonprofit film distribution company. She now claims to be a writer.

In addition…
To support this claim, she is a contributing editor for Documentary Magazine and writes regularly about art, cinema, and culture for, Artist’s Magazine, Art & Object, Pastel Magazine, Art New England, Vermont Woman, and formerly for Professional Artist Magazine. Her creative non-fiction appeared in the 2014, 2016, and 2017 anthology The Best of the Burlington Writers Workshop. Her essays have been published in various literary journals including 34th Parallel, Across the Margin, Adelaide, Agni, Bacopa Literary Review, The Black and White Anthology, Blood and Bourbon, The Brooklyn Film Arts nonfiction prize finalist, From Whispers to Roars, The Longridge Review, Montana Mouthful, Orson’s Review, The Seasons of Our Lives, Swallow Press, The Twisted Vine, Wagon Bridge Press, and The Woven Tales Press, among others. She has read publicly at many venues including the Cornelia Street Café in NYC. She was the inaugural art editor for the literary and art journal Mud Season Review launched in 2014.